Ankit Kawatra's Feeding India has already fed more than 1 million people.
Chef and author Rakhee Vaswani talks about her passion for cooking, her daily struggles as a mompreneur and how she's spreading smiles through her recipes.
Half a dozen reasons why Sridevi is to the camera born. Sreehari Nair lists them out.
Shubham Kumar Gautam, son of a farmer and a Super 30 student, recounts how, in a journey laced with perseverance, grit and determination, he achieved what seemed impossible.
'Our Indian culture system is very family oriented.' 'We value and respect the decisions of our parents to a great extent.' 'That can be a pro or con.' 'It's up to the parents to gauge how much motivation, pressure or space a child needs.' 'Every child is different.' 'We are all unique and that is what I intend to drive home to parents.'
Nidhi Tiwari speaks about her road trip from Delhi to London.
In an online chat with readers, Vidhu Shekar, CFA, country head-India, CFA Institute shared advice on how to crack the CFA exam.
Single mother Gauri Sawant hopes to change the way people view transgenders in India.
Anup Raaj, 23, describes how Super 30, a free IIT-JEE coaching institute located in Patna, Bihar, changed his life.
'When I give advice to my Indian relatives they are shocked.' 'I tell them to eat butter again and eggs and all that stuff.' And eat only so much rice.' 'Instead of having three chapattis, have one.' A must-read interview!
Dubbing artiste Meghana Erande talks about some of her most important projects and how she found success in a niche industry.
Unlike the LDF and NDA nominees who are at ground zero and campaigning hard every day, the Congress candidate's campaign is undertaken in absentia, dependent on an army of local and imported from the rest of Kerala Congresswomen and men.
Ajit Mishra, Vice President, Research, Religare Broking, answers readers's queries on stocks they own or want to buy.
'2015 gave us a set of Hindi films that brought to light, the true uncorrupted joys of filmmaking even in their roughness.' 'Films which told us why we loved films in the first place. Films that were less ashamed of revealing their weakness and ones that took chances with audience expectations.'
'Badlapur,' says Sreehari Nair, 'proves that sometimes there are more personal truths to be discovered in our trash cans than in our neatly arranged book-shelves.'
Farhan Akhtar's Bhaag Milkha Bhaag does not offer anything new
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